Fans of Sarah Davachi will appreciate the hypnotic beauty of Montreal’s Sarah Pagé’s work—at times, it is circularly beautiful, echoing the rippling of a calm blue lake on a dim shoreline; at other times, it becomes menacing, brimming with subdued violence—the metallic shredding of hair gathering friction against string can set the teeth on edge.
Recorded live at Hotel2Tango by Thierry Amar in the winter of 2016, Dose Curves is a collection of solo compositions for pedal harp, homemade pickups, bows, fans, four amps, and electronics. A masterpiece of electroacoustic experimentation, Pagé’s spontaneous incorporation of avant techniques and unexpected instrumentation often makes one forget she’s playing the harp at all. Perfect for reflection, resolution, and revival.
Best Tracks: stasis, ephemeris data, and lithium paper