Toronto’s The Ketamines might be some of the hardest working humans on the planet. Between scheduling a 2014 tour spanning across Canada and releasing four singles plus an LP in the last year, I’m surprised nobody’s died yet.
Tomorrow, the band releases their fourth 7″ entitled Stay Awake via Mint Records. Each record in the series is limited press and features collage work by Montreal artist Felix Morel. All four 7″s fit together to make a 14″ x 14″ art collage. The records have been released out of order, so read on for details on how to purchase them together.
Part 4: Stay Awake might just be the best of the series. Stay Awake is goofy, fun, & well-executed art rock. Since I’m an insomniac with a fondness for catchy guitar riffs, I will probably listen to this 7″ on repeat for the next year. Sorry, friends and family. Can’t talk to you right now, I’m getting down.
Part 2: Eleven Eleven, a six-track EP about numerology, was just made available on Saskatoon label Leaning Tree Records on February 15th. From my first listen, standouts include You Can’t Stop Time and We Are One.
“I had this idea for a while ago. We were working with this artist in Montreal who does this really great collage work for our tour poster. And we had this idea about doing this package where you could collect all the 7” singles and put them together to make the bigger piece of artwork. So we are working with four different labels to put out a new 45 every two months for the rest of 2013. The first one is about to come out on Pleasence Records, and they had put out the last Slim Twig record. They do a lot of really interesting avant-garde Toronto bands.”
All four can be purchased from Hosehead Records in a $22 bundle (am I reading that right? Seems like a total steal). Purchase it here. Tad, if you’re reading this, I would totally go halves with you here.
On top of all this, The Ketamines also released an LP in September called You Can’t Serve Two Masters via Southpaw & Paul Lawton’s own label, Mammoth Cave. That’s a hell of a lot of songwriting and releasing to do within one calendar year. However, I am grateful. You Can’t Serve Two Masters is slinky, bouncy, and fuzzed to the extreme.